Sunday, October 6, 2013

The Male Nude In Eighteenth Century French Art Explored

Classes were complemented by courses on anatomy, perspective, geometry, literature and history. The Academy’s training was learned and structured, and, although it was sometimes criticized for its rigour and its insistence on discipline and uniformity, it produced superb draughtsmen. Some of the artists featured became painting Masters of their generation, focusing on historical and allegorical pictures. Others utilised their training in a variety of artistic fields, including Bachelier, who went on to assume the role of Director of Design and Decoration at the Sèvres porcelain factory, influencing many of the pieces exhibited in the Wallace Collection.

Variety and beauty are omnipresent in The Male Nude. The works show figures – sometimes single, sometimes two together - in an enormous variety of poses and in various degrees of light and shade. The study of physiognomic expression was also taught at the Academy, and the facial expressions of the figures always complement the poses they adopt, whether they show, say, serenity, exertion, pleasure or anger.

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